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The age requirement for this performance is 16yrs+. Anyone aged 16 or 17 must be accompanied by an adult. Photo ID will be required on entry.

Algolia Theatre: Immersive Experiences (DUPLICATE - use 'Genre: Immersive' instead)

Punchdrunk Lottery/Rush

Enter for a chance to purchase £25 Punchdrunk tickets.

£25 Lottery tickets

If selected, you will have strictly 30 minutes to claim and purchase £25 Punchdrunk tickets.

You can enter the Punchdrunk £25 Lottery through the TodayTix mobile app. Download the TodayTix app on your iOS or Android device and enter weekly to win the chance to purchase £25 Lottery tickets.

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No purchase required to enter. You can only win the Lottery for each performance once. Entrants are selected at random. By entering your phone number you are giving TodayTix permission to contact you via SMS Text, Email or Phone per our privacy policy.

Your participation in any of the lotteries in the series is subject to our standard terms and conditions, which you can view [here](https://www.todaytix.com/terms/uk). The Promoter of this series of lotteries is TodayTix, Ltd.

This is a series of promotional prize draws and the term 'lottery'/'lotteries' is only used in a brand sense. No gambling is involved.

To enter the Lottery you must either reside in United Kingdom and/or be able to attend the relevant scheduled performance in London and be aged 18 years or older. Any entries made from outside the UK will be subject to UK law.

No purchase is required to enter but if you win you will need to pay for each ticket.

You can earn one extra entry into the same lottery that you have entered if you share the auto-filled post on Facebook, another if you share the auto-filled post on Twitter, and another if you share the auto-filled post on Instagram.

All winners are drawn at random by a computerised process. There are a limited number of discounted price tickets available as prizes for each lottery in the series, which are always drawn in two stages.

All tickets available are drawn at random and assigned to winners. If a winner declines or fails to claim their tickets within thirty minutes, these tickets will be re-assigned at random to another entrant. Choosing to enter for either 1 or 2 tickets holds no bearing on your chances of being drawn as a winner.

When the winners are drawn for each lottery in the series, the same computer process will be used to randomly select "reserve" winners. If you are a "reserve" winner and the original winner does not claim the tickets, you will be sent an email to let you know that you’ve been assigned as a winner. All replacement winners are selected from the drawn "reserve" at random.
TodayTix takes no responsibility for undelivered ‘winner’ emails or push notifications.

Please note that your entry into a lottery for the chance to purchase 1 or 2 tickets for a particular performance will not be rolled-over to any lottery for another performance.

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It is also possible to enter by emailing lotteryentries@todaytixgroup.com with your name, e-mail address, phone number, post-code, number of tickets required (1 or 2 tickets) and desired performance dates/times. You can only enter for performance dates that feature within the ongoing lottery draw, no advance entries into future draws will be accepted. 

I entered the Punchdrunk Lottery for £25 tickets on @TodayTix! Tap here to enter: https://www.todaytix.com/london/shows/25388?share=enter

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I unlocked £25 Rush tickets for Punchdrunk: The Burnt City on @TodayTixUK! https://www.todaytix.com/london/shows/25388?share=unlock

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Punchdrunk: The Burnt City

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Summer Theatre Sale

Punchdrunk creates genre-defying experiences for audiences around the world. They blend classic texts, physical performance, dance and award-winning design installation to bring to life unique sensory worlds. *Punchdrunk: The Burnt City* tickets are available on London Theatre now.

Inspired by Greek tragedies Agamemnon by Aeschylus and Hecuba by Euripides, The Burnt City is a sprawling metropolis filled with chance encounters and each visit is unique. Be brave. Follow your instincts. If you find yourself somewhere curious explore it, and if someone catches your eye follow them.

Experience the epic new world from Punchdrunk, ‘the world-conquering theatre rebels’ (Evening Standard), as the greatest of Greek tragedies is transported to a sprawling dystopian labyrinth.

Amidst the moments surrounding the fall of Troy, a mythical world of gods and mortals rises from the ashes. Discover a colossal playground that you are free to explore. Move between the haunting palace of Greece to the pulsating neon back streets of downtown Troy. Follow strangers who emerge from the shadows and seek out tales hiding in the deepest parts of the city.

__'Immersive theatre on an epic scale'__ - The Independent

__‘Rich, vivid, momentous’__ - Evening Standard

__‘Get a ticket ASAP’__ - Vogue

Supported by Porsche as Headline Partner.

Please see your confirmation e-mail for important information about your visit.

Punchdrunk: The Burnt City LON LondonTheatre

Summer Theatre Sale: book theatre tickets for Punchdrunk: The Burnt City in London. Choose your seats and find the best availability on LondonTheatre.co.uk.

Punchdrunk: The Burnt City Tickets | London Theatre

Experience the fall of Troy. Immersive theatre pioneers Punchdrunk return to London at last with a sumptuous new show about a dying city. 
Wander the ruins of Troy in the company’s signature exploratory style. You’ll have an intimate, thrilling experience that is all your own.
Learn more about tickets to *The Burnt City* today. 

Punchdrunk: The Burnt City - LON - TodayTix

Exclusive £25 theatre tickets available for Punchdrunk: The Burnt City on TodayTix, and enter a world of Gods and mortals.

Punchdrunk: The Burnt City Tickets | London | TodayTix

Punchdrunk: The Burnt City - LON - Box Office

Buy tickets for Punchdrunk: The Burnt City at the One Cartridge Place in London. Find official theatre tickets to Immersive Shows with Box Office.

Punchdrunk: The Burnt City Tickets | Box Office

One Cartridge Place is the home of Punchdrunk, an immersive theatre company. On the banks of the Thames, the venue serves as a catalyst for an inventive regeneration for theatre. Punchdrunk currently present their show, *The Burnt City* at the Woolwich-based venue. One Cartridge Place opened in summer 2022. 

## Where is *Punchdrunk: The Burnt City* in London?

*Punchdrunk: The Burnt City* is at One Cartridge Place in London. One Cartridge Place is located in Woolwich. 

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No under 12's are allowed in the standing ticket area. Children between the ages of 6 and 11 are welcome to watch the show but must watch from a seat. Children under 5 will not be admitted.

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Sit down, or stand, at a striking immersive musical taking over the Bridge Theatre. *Guys and Dolls* tickets are available on London Theatre now.

[___This is for *Guys and Dolls* standing and stage tickets. Book *Guys and Dolls* seated tickets here.___](https://www.londontheatre.co.uk/show/25504-guys-and-dolls-tickets)

London loves *Guys & Dolls*. The musical first came to the West End in 1953, with Queen Elizabeth II even enjoying the show. This stylish version combines Golden Age Hollywood glamour with a 21st-century reinvention. With standing tickets, you’ll be swept to Manhattan and Havana all in one night. 

London Theatre couldn’t stop shouting about the show, saying: “ “You’ve simply gotta gamble”. And when it pays off, as [director Nicholas] Hytner proves, the rewards are boundless.”

When Manhattan gambler Nathan Detroit needs to find a new location for his crap shooting games, he calls upon Sky Masterson. The pair settle on a bet: Nathan bets Sky that he can’t take a woman of his choosing on a date. Everything changes when they meet Salvation Army sergeant Sarah Brown. 

### What songs are in *Guys & Dolls*?

The *Guys & Dolls* musical includes Frank Loesser’s jazzy score, including “Luck Be a Lady, “Sit Down, You’re Rocking the Boat,” “A Bushel and a Peck,” and “Adelaide’s Lament.” Listen to cast members Cedric Neal, Marisha Wallace, Daniel Mays, and Celinde Schoenmaker perform the hits. 

Tickets to *Guys and Dolls* are available now. Book your *Guys and Dolls* tickets on London Theatre today.

Guys & Dolls Standing and Stage - LON - London Theatre

Book theatre tickets for Guys & Dolls in London. Get ready to be swept up in Manhattan and Havana all in one night at the Bridge Theatre.

Luck be a lady, tonight! Be taken to the streets of Manhattan and the Havana bars all in one night. Nicholas Hytner directs an immersive, all-encompassing *Guys & Dolls* at the Bridge Theatre, a musical first for the venue. Shoot craps now. Learn more about *Guys & Dolls* tickets today.

This musical definitely rocks the boat. It’s an immersive experience to remember: walk the Manhattan streets, enjoy a Cuban cocktail in a Havana bar, and say your prayers at the Salvation Army all in one evening. Nicholas Hytner directs the groundbreaking version that transforms the Bridge Theatre into London’s hottest party. Stay for the end and hear Marisha Wallace’s recordings of popular *Guys & Dolls* songs. 

Hear all the classics like “A Bushel and a Peck,” “Luck be a Lady,” and Miss Adelaide’s song, “Adelaide’s Lament". An all-star cast lead this energetic *Guys & Dolls* in London: Daniel Mays, Marisha Wallace, Celinde Schoenmaker, and Cedric Neal to name a few. The musical received unanimous approval, with London Theatre calling it “a jackpot... it manages to be both the most exhilarating version of Frank Loesser’s musical and also the most nuanced." Don’t miss your chance to see *Guys & Dolls.* 

## What to Watch For: 

- *Guys & Dolls* at the Bridge Theatre will be an immersive production. Choose to sit in the tiered seating, or book a standing ticket in the pit. 
- Damon Runyon’s two short stories, “Blood Pressure,” and “The Idyll of Miss Sarah Brown” inspired the musical’s creators, Jo Swerling, Abe Burrows, and Frank Loesser.
- *Guys & Dolls* won the Pulitzer Prize for Drama, but they didn’t receive the award as Abe Burrows was suspected to support Communists. When *Guys & Dolls* premiered, the House of Un-American Activities Committee investigated disloyalty in American society. 
- Frank Sinatra and Marlon Brando played Nathan Detroit and Sky Masterson in the 1955 film.

Guys & Dolls - LON - TodayTix [STANDING]

Get the best prices on theatre tickets for Guys & Dolls on TodayTix. Be transported to the streets of Manhattan in this production directed by Nicholas Hytner.

Guys & Dolls (standing) - LON - Box Office

Buy tickets for Guys & Dolls - Standing/Immersive at the Bridge Theatre in London. Find official theatre tickets to Musicals with Box Office.

Guys & Dolls - Standing/Immersive Tickets | Box Office

Would luck be a lady for Nicholas Hytner? His much-hyped, immersive production of *[Guys & Dolls](https://www.londontheatre.co.uk/show/25504-guys-and-dolls-tickets)* is set to run for six months at the [Bridge Theatre](https://www.londontheatre.co.uk/theatres/the-bridge-theatre) — a significant gamble. Well, I’m delighted to report that he’s hit the jackpot with this jubilant revival, which somehow manages to be both the most exhilarating version of Frank Loesser’s musical I’ve seen, and also the most nuanced. 

That combination is thanks to an ingenious staging, building on the Bridge’s previous immersive Shakespeare productions. The audience is in the round, partly seated. The standing audience, gathered in the centre, gets thrillingly close to the action, with hydraulic platforms shooting out of the floor all over the place and neon signs descending from the ceiling.

Bunny Christie’s design basically dances more than the cast. It creates boundless staging opportunities for Hytner: whether it’s a central platform for a big Hot Box number, or a large zigzagging path across the auditorium, or several separate mini-stages acting as different locations. It matches the energy of this heightened, Damon Runyon-styled New York City, and allows for lightning-fast scene changes (occasionally the set-up for the next scene cuts into the current one, as ushers nudge the promenading audience around, but that can hopefully be ironed out over the run). 

It creates a dynamic audience experience, far removed from the previous rather tired West End outing for *Guys & Dolls*. There’s pre-show fun (you can get a rakish hat or a pretzel from a street seller), and immersive elements during the show itself: you might be handed a Save-a-Soul Mission leaflet, or a streamer to wave, or have your drink nicked by a cheeky gambler. It all climaxes with a euphoric dance party, with cast members sticking around to boogie and take selfies with fans. It’s an inspired way to make theatre feel relevant and accessible.

But, as with the similarly thoughtful revivals of *Cabaret* and *Oklahoma!*, this isn’t just audience pandering. Thanks to the intimacy and nimbleness of this set-up, Hytner can also mine the show for psychological detail. 

*Guys & Dolls* is that rare show in which the book is the equal of the score, and this production so joyfully lands all of Abe Burrows and Jo Swerling’s zingers and larger-than-life, deliciously named characters, while also giving them dimensionality.

Crucially, it addresses the inherent misogyny. [Marisha Wallace](https://www.londontheatre.co.uk/stars-on-stage/marisha-wallace)’s Adelaide is no ditzy, marriage-obsessed dupe, who eventually guilts reluctant long-time fiancé Nathan into settling down with her. Instead, this is a couple desperately, carnally in love with each other, however, it’s Nathan who has the mental block. Daniel Mays (mostly known for his screen work, but making a phenomenal musical theatre debut) emphasises how Nathan relishes his status as the ultimate fixer, always staying one step ahead of the law. What happens if he stops running? 

The pair of them bring impressive comic chops but also an inherent sadness to their big rows, especially the wonderfully absurd sequence in which Adelaide admits she’s invented a brood of children for her concerned mother (Mays’s pique that Nathan is just an assistant manager in this fiction is priceless). 

Duet “Sue Me” — often a throwaway gag — is a masterclass in acting through song, supported by the blocking: they grow more physically distanced with each bitter exchange, while still achingly emotionally attached.

Wallace also avoids the easy humorous route with “Adelaide’s Lament,” dropping the exaggerated pronunciations in favour of framing the number as a gentle confession, aimed at the audience right beside her — one friend speaking to another. But she’s just as capable of amping up her performance in the steamy Hot Box stripteases (no coyness here), in which she owns her power and sexuality. 

In contrast to these warring veterans of love are the newly met, opposites-attract pair: Celinde Schoenmaker’s robustly dedicated missionary Sarah and Andrew Richardson’s charmingly insincere gambler Sky. Again, this is framed as an equal journey, not just as a woman who needs to lighten up. 

If anything, the exquisitely clarion-voiced Schoenmaker is the driving force: in “If I Were a Bell” she seems as drunk on life as on rum, tearing open Sky’s shirt and, following some Gene Kelly lamppost swinging, falling into his arms and swimming through the air. When they meet in song, their harmonies intertwine like a warm embrace. 

The boyish Richardson, a smouldering, Clive Owen-esque presence, actually feels like the lost one of the pair. This mainly works nicely, although both performance and vocals need more projection. There’s also one bewildering misstep: the introduction of a stereotypical gay club in Havana. It gets around the tired trope of a feisty Latina starting a catfight, and a bisexual Sky is a fascinating idea, but it’s never actually developed.

I also would have liked more explosive choreography here (the Cuban sequence begins with dancers scattered in the crowd — less impactful at a distance), but Arlene Phillips and James Cousins’s grounded, organic movement is otherwise invigorating, and the visible band gives us a glorious version of Loesser’s peerless score. Plus there are numerous scene-stealing supporting turns: Cedric Neal’s Nicely-Nicely, lending gospel fervour to “Sit Down, You’re Rocking the Boat”; Mark Oxtoby’s fast-talking Benny; the perfect sight gag of Cameron Johnson’s giant Big Jule.

Most joyfully, the happy ending feels earned. Wallace and Schoenmaker’s “Marry the Man Today” isn’t an expression of dubious making-do, but a dawning realisation — by two shrewd women knocking back shots together; fabulous — that there’s nothing certain about life or love: “You’ve simply gotta gamble”. And when it pays off, as Hytner proves, the rewards are boundless. 

*Guys & Dolls at the Bridge Theatre through 2 September. Book Guys & Dolls tickets on London Theatre.*

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=25504&content_product_id=25504&venue_id=76)

*Photo credit: The cast of Guys & Dolls (Photo by Manuel Harlan)*

'Guys & Dolls' review – Nicholas Hytner hits the jackpot with this exhilarating immersive revival

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Guys & Dolls

Read our five-star review of *Guys & Dolls* starring Marisha Wallace at the Bridge Theatre, currently playing through 2 September. Get *Guys & Dolls* tickets on London Theatre.

Nicholas Hytner and Nick Starr spearhead the Bridge Theatre. Having worked together at the [National Theatre](https://www.londontheatre.co.uk/theatres/national-theatre) for over a decade as artistic and executive directors, Hytner and Starr formed the London Theatre Company as part of their efforts to open the largest Off-West End commercial theatre. The 900-seater auditorium is very adaptable and allows shows to be presented in end-on, thrust and promenade formats. 

Production aside, the theatre was praised for its abundance of ladies toilets and its on-site kitchen which, among other things, provides treats freshly baked on site during the interval. 

In 2017, the theatre's inaugural season included a new Richard Bean play *Young Marx*, starring [Rory Kinnear](https://www.londontheatre.co.uk/actor-profile/rory-kinnear) and Oliver Chris, *Julius Caesar* starring Ben [Whishaw](https://www.londontheatre.co.uk/actor-profile/ben-whishaw) and David Calder, and a new play by Nina Raine about the life of JS Bach starring [Simon Russell Beale](https://www.londontheatre.co.uk/actor-profile/simon-russell-beale).

Notable plays at the Bridge Theatre include *The Lion, the Witch and the Wardrobe,* as well as *My Name is Lucy Barton* and *Straight Line Crazy* — the latter two both transferring to New York.

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Genre: Play

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Jaime Winstone as Jenny, Ricky Champ as Ben, Sophia Bush as Lauren and Clifford Samuel as Sam 2 22 A Ghost Story Photo Helen Murray

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Award-winning supernatural thriller 2.22 - A Ghost Story announces a record-breaking 5th West End transfer after hit seasons at the Gielgud, Noel Coward, Criterion and Lyric Theatres. The play will now open at the Apollo Theatre for a limited  18 week season from 14th May 2023 starring __Sophia Bush, Jaime Winstone, Clifford Samuel__ and __Ricky Champ.__

2:22- A Ghost Story is written by award-winning writer Danny Robins, creator of the hit BBC podcast The Battersea Poltergeist, and is directed by Matthew Dunster. Brilliantly funny and intriguing; 2:22 A Ghost Story is an adrenaline-filled night where secrets emerge and ghosts may or may not appear. What do you believe? And do you dare discover the truth?

Jenny believes her new home is haunted, but her husband Sam isn’t having any of it. They argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening, and that something is getting closer. So they’re going to stay up until 2:22… and then they’ll know.

2:22 A Ghost Story Apollo Theatre - LON - London Theatre

Summer Theatre Sale: book official tickets to 2:22 A Ghost Story, Apollo Theatre in London today. Find the best availability at LondonTheatre.co.uk.

When Jenny and Sam move into their new home, they believe it's haunted. Belief and scepticism clash as four friends try to spot suspicious behaviour. But what will 2:22am bring? Danny Robins's play moves to its fifth West End theatre in summer 2023. Learn more about *2:22 - A Ghost Story* tickets at the Apollo Theatre.

2:22 - A Ghost Story Apollo Theatre - LON - TodayTix

Exclusive £25 theatre tickets available for 2:22 A Ghost Story - Apollo - London on TodayTix. Find the best deals, show information & more.

2:22 - A Ghost Story Apollo Theatre - LON - Box Office

Buy tickets for 2:22 A Ghost Story - Apollo at the Apollo Theatre in London. Find official theatre tickets to Plays with Box Office.

2:22 A Ghost Story - Apollo Tickets | Box Office

Jenny believes her new home is haunted, but her husband Sam isn’t having any of it. They argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening, and that something is getting closer. So they’re going to stay up until 2:22… and then they’ll know. 


The Apollo Theatre opened on 21 Feb. 1901. The theatre is named after the Greek god of the arts, and was built to house musical theatre productions.

The late 20th-century saw many plays at the Apollo Theatre, including *Separate Tables* starring John Mills, *Mrs Klein* starring [Zoe Wanamaker](https://www.londontheatre.co.uk/actor-profile/zoe-wanamaker), and *A Madhouse in God* starring [Vanessa Redgrave](https://www.londontheatre.co.uk/actor-profile/vanessa-redgrave).

During a performance of the Olivier Award winning play [*The Curious Incident of the Dog in the Night-Time*](https://www.londontheatre.co.uk/show/the-curious-incident-of-the-dog-in-the-night-time) on 19 Dec. 2013, a large section of the ceiling collapsed, potentially caused by the heavy rain London had experienced that week, and 88 people were injured. 

Recent shows at the Apollo Theatre include *Jerusalem* starring Mark Rylance, and the West End premiere of *Everybody's Talking About Jamie.*

## Apollo Theatre Seating Information

The auditorium has three levels – Stalls, Dress Circle and Grand Circle. The Stalls seats offer excellent views of the stage. Views in the outer seats are hindered by the overhang of the Dress Circle.

The Dress Circle seats may offer little legroom and little raking in the seating. The last two rows of seats sit on a higher level and offer better views than those in front.

The Grand Circle has a shallow ranke. The last two rows of seats are also built up higher.

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The Wizard of Oz

The producer of the smash-hit Joseph and the Amazing Technicolor Dreamcoat presents a brand-new production of THE WIZARD OF OZ, one of the world’s most beloved musicals. 

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